By Sylviane Agacinski
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Extra resources for Aparte: Conceptions and Deaths of Soren Kierkegaard (Kierkegaard and postmodernism)
The fact that the story is told twice in the introductory material to the current edition of the Postscript, once by Swenson's widow and then again by his editor, serves to emphasize its almost hagiographic character. The editor's description is worth quoting: "Having nothing (footnote continued on next page) Page 5 Swenson was later to team up with another of the earliest American readers of Kierkegaard, Walter Lowrie, a retired rector of St. Paul's American Church in Rome, and together they were responsible for the majority of texts translated into English for the first time.
What is left unsaid because it is unsayable? Is there always something cryptic about translation? If it is impossible, or almost impossible, to translate aparté, then is it possible to translate Aparté? Perhaps it is better to leave the conceptions et morts de Søren Kierkegaard untranslated. Perhaps but one cannot be certain. ) are already translationstranslations of something else. "1 If nonlanguage always conditions language, then language is, in some sense, already translation, and thus translation is always a translation of a translation.
4 To the extent that it does not represent or imitate, all writing is an "empty space" in the picture. , recognizable, code, a grammar. But at the moment the self, as name, becomes dependent on the systematic but merely formal laws of a grammar, it gives up any illusion of speaking for itself, speaking directly in its own voice, and hands itself over to a process of recognition that is mechanical rather than self-conscious. This is why, within language conceived as a system of notation, it is never possible to determine with certainty whether the "subject" is a mind or a machine, that is, whether it is the ''citation" of a merely grammatical or ironical rather than a thinking subject.